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TROLL!
Trollhunter is a Norwegian movie currently doing the rounds at the sort of cinemas that show sub-titled movies (you know the one, the one you keep meaning to go to more often). The premise is pretty simple; Modern Day Norway has trolls, and has been keeping this a secret from the world. The movie follows a small band of student film-makers who, over the course of the movie, become embroiled in a world much larger, and much scarier than they ever dared to dream.
Trollhunter is, in essence, a classic creature feature. Like all creature features, the focus in on the characters that have their lives affected by the monster’s existence. In this case, that role is filled by Hans, the titular Troll Hunter, brilliantly played by Norwegian satirist Otto Jespergian.

Yes, the Troll Hunter does look a bit like Warren Ellis. Perhaps there's something he's not telling us.
The movie not only explores the implications of giant monster roaming the wild parts of Norway, it also takes it time to have a satirical stab at religion, government and education, but in a subtle way. The main focus is the action, and the entire is shot in a mockumentary shaky-cam style1. This helps us sympathise with the characters a bit more, and lets the viewer buy into the whole idea that Trolls are real and have to be managed in the same way that other wild animals are.
Though darkly comic at times, I do suspect that some of the movie is lost in translation. This is very much a movie that only could have been made in Norway. It’s also great. Engaging, funny and exciting. You should go see it. Even if you don’t like subtitles.
Of course, being a good movie that happens to need subtitles, Hollywood plans a needless remake. (Article here.) I have a problem with this sort of remake anyway2, but in this particularly case, they really are missing the point. This is a movie steeped in Norway, and works so well because it’s a Norwegian movie with local talent, local scenery and local monsters. Introducing an American into the mix would detract from entire affair.
If you haven’t seen it, and you like creature features, go see it. It’s miles better than Cloverfield was, and much more fun.
1: As is traditional for such movies, the movie is allegedly ‘Found Footage’. The Blair Witch Project has a lot to answer for.
2: Partially, I resent the implication that most people won’t read subtitles, and I also hate the fact that Hollywood hoovers up foreign films and remakes them in order to protect it’s market share.
The streets of New York look a lot like the streets of Manchester…
Went to see Captain America (The First Avenger) recently, and enjoyed it a fair bit. Of course, I went to see it in 2D1.
It’s a pretty simple tale; Set in World War Two, it follows Steve Rogers, a weedy nerd type who, through the magic of science, becomes superhuman and beats up Nazis.
Such a movie should be pretty hard to mess-up, and luckily, they get the mix just right. The villians are appropiately villianous2, the heroes lantern jawed and heroic. This isn’t a movie where the concepts of ‘heroism’ and ‘good’ are dissected through a complex narrative, this is an action movie about a super-hero who is also a soldier.
One of the core concepts of the Captain America comic book is that the title character is the spirit of the nation; he stands for an idealised form of heroism and hard work, a version of the American Dream that kick your arse if needs be. The movie pulls this off without being too nationalistic or repulsive. This is not “Team America: World Police”, this is the story of a Nazi-bashing, rights-defending dream of America, set in a bygone age.3
If you liked The Rocketeer, you’ll love this. (It’s also by the same director). If you’re a ‘Make Mine Marvel’ type, you’ll make little happy sounds at some of the little references. (There’s a brief glimpse of the 50’s version of the Human Torch, for example. And of course, a SHIELD style flying car.) Go see, if super heroes or fantasy-laden war movies are your thing.
1) 3D is for movies that have no story. Transformers 3 and Avatar, for example, are movies that are more about the spectacle than they are about anything else. You go to watch the explosions. Personally, I avoid that sort of thing as if I wanted to see things go bang, I’d go to a proper fireworks display. The plot tends to be better.
2) It’s nice to see Hugo Weaving and Toby Jones get a chance to chew scenery. Of coure, Jones will always be ‘The Dream Lord’ to me and Weaving will always be Mr Smith, but this just adds to the fun.
3) One of the movie’s flaws is that this theme jars slightly with the movie’s framing mechanism. But not terribly so.
